Greatest Hits (1975)
Greatest Hits is an official greatest hits album, featuring all of Ike & Tina’s biggest hits and is also the very last album from the duo before they separated. The cover pictures on both sides were photographed by Norman Seeff. In England, Spain and Australia, the album was released one year later under the different title The Very Best of Ike & Tina Turner with a different cover picture and two additional tracks.
Producer: Ike Turner
Design: Leonard Spencer
Photographer: Norman Seeff
Release: March 1975 / 1976 (UK)
Label: United Artists
Format: Vinyl / Cartridge / Cassette
- Proud Mary (Edit) 3:15
Written by John C. Fogerty / Produced by Ike Turner / From the album "Workin’ Together"
- Come Together 3:41
Written by John Lennon, Paul McCartney / Produced by Ike Turner / From the album "Come Together"
- Ooh Poo Pah Doo (Edit) 2:48
Written by Jesse Hill / Produced by Ike Turner, Claude Williams, Gerhard Augustin / From the album "Workin’ Together"
- Nutbush City Limits 2:57
Written by Tina Turner / Produced by Ike Turner / From the album "Nutbush City Limits"
- Sexy Ida (Part II) 3:01
Written by Tina Turner / From the "Sexy Ida“ single release
- I Want To Take You Higher 2:55
Written by Sylvester Stewart / From the album "Come Together"
- It’s Gonna Work Out Fine 3:03
Written by Sylvia McMinney, Rose Marie McCoy / Produced by Juggy Murray / From the album "It’s Gonna Work Out Fine"
- A Fool In Love 2:41
Written by Ike Turner / Produced by Juggy Murray / From the album "The Soul of Ike & Tina"
- Baby, Get It On 3:15
Written by Ike Turner / Produced by Ike Turner, Denny Diante & Spencer Proofer / From the album "Acid Queen"
- I’ve Been Loving You Too Long (Live) 8:31
Written by O. Redding, J. Butler / Produced by Ike Turner / From the album "What You Hear Is What You Get"
March 06, 1975
Collection of hits from the earliest days to more recent material makes up set that should pull in pop, soul and disco play. Good indication of the role the pair have played in the evolution of rock. Early hits were often recut by English groups, and later hits were often covers of white versions of the same songs. Interesting thing was the way Ike & Tina rearranged material to suit themselves and often became identified with the rearranged versions.